![]() ![]() They have "MMK" stamped into the brass backing plates and "45" right below in black ink. This thing is about ten years older than my guitar playing life, so maybe I'm discovering something I never knew about? Or is it just a failing pickup?Īnyone ever experienced that? Or, able to explain the science behind it? Is it a faulty pickup or was it designed that way? Seems like if the latter, then why isn't everyone offering this?įor those wanting to know, the catalogue calls them High Output Protomatic V humbuckers. not only have I never seen/heard anything like that, no one I've talked to so far has either. it was like going from a Boss SD-1 to a Boss Blues Driver. ![]() from treble to bass, the gain smoothly decreased. Combined with its staff of skilled craftsmen, Matsumoku was able to realize the mass production of high quality guitars.However, because it mainly manufactured guitars under contract, the role of Matsumoku was largely unknown outside of Japan’s guitar. I played with the volume a bit and it responded as expected. By the early 1960s, Matsumoku had acquired new mills, lathes and specialized presses and began to increase musical instrument production. It sounded about as I would expect with a hot bridge pickup - sort of like a thin Distortion with a little too much gain. When I got it, I ran the volume and tone knobs to max and went to town. When he sent it to me, he mentioned the bridge pickup seemed to have a wavering output issue. ![]() I got a cool 1983 Aria Pro ZZCT from a buddy recently who had just got it from an estate sale. ![]()
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